THE LAY OF THE LANDThe Center for Land Use Interpretation Newsletter

 

It was a dark night and there were no lights or shoulder markers, lines, railings or anything at all except the dark pavement moving through the landscape of the flats, rimmed by hills in the distance, but punctuated by stacks, towers, fumes and colored lights. This drive was a revealing experience. The road and much of the landscape was artificial, and yet it couldn't be called a work of art. On the other hand, it did something for me that art has never done. At first I didn't know what it was, but its effect was to liberate me from many of the views I had about art. It seemed that there was a reality there which had not had any expression in art... I thought to myself, it ought to be clear that’s the end of art.

-Tony Smith, sculptor, on driving through the Meadowlands on the then unfinished New Jersey Turnpike in the 1950's.

 

California’s Owens Valley
Focus of month-long program at CLUI Los Angeles

Diversions and Dislocations
An account of the CLUI bus tour of the Owens Valley
Day 1

Day 2

First Responder Training Sites
Thematic exhibit on emergency architecture

CLUI Northeast Office in Troy NY
Programs and projects about NJ and NY underway

The Space Between
Thoughts on the New Jersey Meadowlands

Edison’s Menlo Park Lab
The original modern R&D complex

The Jet Set UN Tour
Around the world in 45 minutes at the United Nations

The CLUI Gets Stuck in Traffic
Traffic is Subject of exhibit and lecture March 2004

CLUI Goes Down the Tube
Team visits the sewer before it’s too late

Amidst a Petrochemical Wonderland
Points of view along the Houston ship channel

Western South Dakota
Land of America as attraction

Nevada's Dixie Valley
A drive-thru enemy landscape

Report from the Great Basin
CLUI Wendover reports more visitors to ”nowhere”

Report from the CLUI Mojave Desert Outpost
Activities in the high desert continue to astound

CLUI Talks and Exhibits On The Road

Unusual Real Estate listing #2764

Editorial Commentary

Book Reviews

  California’s Owens Valley
Focus of month-long program at CLUI Los Angeles

View of some of the interpretive infrastructure in the Owens Valley.
- CLUI photo

The remote and notorious Owens Valley was the focus of an exhibit, tour, and publication program at the CLUI in Los Angeles this spring. Diversions and Dislocations: California’s Owens Valley was on view at the CLUI April 9 to May 9, 2004, and presented several perspectives of this fabled “backspace” of California. From the preparation for the first Los Angeles aqueduct a hundred years ago to the recreational urban tourists of today, the Owens Valley has been an extension of the city, a fact physically asserted on the ground, as more than 95% of the private land in the valley is owned by the Los Angeles Department of Water and Power.

The exhibit featured images of the area by four artists. Eva Castringus, a German photographer who has worked extensively in California, photographed the aqueduct as it moves through the valley, on its 250-mile journey to Los Angeles. Delving into the complexities of this engineering marvel, Aaron Forrest displayed his epic Los Angeles Aqueduct Landscape Atlas as a large format bound book, viewable on a table in the exhibit. The photographer David Maisel showed his aerial images of the chaotic, dried up surface of Owens Lake as projections on the gallery wall, in front of which visitors could listen on headphones to a narrative and musical soundtrack he made for the exhibit. Also included was previously unseen work by Andy Freeman, a photographer who has been researching and photographing buildings that were relocated from the Manzanar Japanese-American Internment camp, which was built in the Owens Valley during World War II (one of ten such internment camps built in remote areas of the western United States). After the war, the buildings were sold and removed for scrap or reuse elsewhere. As a result, parts of this surprising chapter of American history are scattered around the Owens Valley, in the form of transformed architectural artifacts, that have been absorbed by and integrated with the social and architectural context of the valley.

In addition, the Center published a new guidebook, titled Points of Interest in the Owens River Valley, written and researched in association with Kazys Varnelis, an architectural historian and frequent contributor to CLUI programs. And a tour was conducted by the Center, taking a busload of interested people on a two day odyssey up and down the valley.

Read a full account of the tour.